Traditional perspectives and innovation in Albanian Folk musical instrument craftsmanship: the case study of Master Salla Shabani’s Workshop in Gostivar

Authors

  • Bekim Ramadani Author

Keywords:

Albanian music culture, folk musical instruments, musical instrument workshop, Salla Shabani, craftsmanship

Abstract

This study focuses on the analysis of traditional perspectives and innovation in Albanian folk musical instrument craftsmanship, with a particular emphasis on the workshop of master Salla Shabani from Gostivar. Using a wide range of methodologies, including detailed interviews, observations, and other field sources, we examine the history of musical instrument craftsmanship and its role in the context of Albanian culture. Furthermore, we analyze the impact of this craftsmanship on ceremonies, historical events, and the cultural identity of Albanians. In addition, we explore the effects of traditional musical instrument production techniques and innovation in this field, including the role of contemporary technology. By creating a complete portrait of Salla Shabani’s biography, the aim of this study is to accurately understand the connection between craftsmanship, musical identity, and the dissemination of Albanian culture. In particular, we discuss the role of craftsmanship in preserving cultural diversity and promoting intercultural dialogue, and suggest possible steps for the continued preservation and promotion of the traditional musical instrument-making art in the future.

 

Author Biography

  • Bekim Ramadani

    Dr. Bekim Ramadani was born in 1970 in the village of Orashje near Tetovo. He completed his primary and secondary education in his hometown. In 2001, he graduated from the Faculty of Music at the State University of Tetova. He earned his Master’s degree in Musicology in Tirana in 2006 and completed his PhD in Ethnomusicology in Skopje in 2018. He works as a lecturer at the Faculty of Music, University of Tetova, where he teaches subjects related to folk music and music informatics. For over two decades, he has also served as a music teacher at the “Kiril Pejçinoviq” Gymnasium in Tetovo, where he successfully led the school choir. As an active member and artistic leader of the folklore ensemble “Xheladin Zeqiri” in Tetovo, as well as co-founder of the group “Margaritarët,” he has contributed to the promotion and preservation of Albanian folk music both locally and internationally. His research focuses on the documentation, transcription, and analysis of Albanian traditional music, as well as the cultural role of music in contemporary society. He has presented at numerous academic conferences and published essays in scientific and cultural journals. He is the author, co-author, or translator of over 20 books in the fields of ethnomusicology, traditional music, and music education, contributing significantly to the preservation and transmission of Albanian musical folklore. E-mail: b_ramadani@yahoo.com ORCID: 0009-0007-6108-1851 Affiliation: Faculty of Music, University of Tetova, Tetovo, North Macedonia.

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Published

2025-10-04

Issue

Section

Araştırma Makalesi

How to Cite

Traditional perspectives and innovation in Albanian Folk musical instrument craftsmanship: the case study of Master Salla Shabani’s Workshop in Gostivar. (2025). Journal of Turkish Organology , 2(2), 55-66. https://turkorganolojidergisi.com/index.php/tod/article/view/19

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